T H U R S D A Y   5   D E C E M B E R -
W E D N E S D A Y   1 1   D E C E M B E R 2 0 1 9
t h e f i l m s
n e w s c l i p s
The Wellington Film Society has concluded its screening schedule for 2019. It will return to the Embassy
on the first Monday in March 2020, hopefully with a 3D classic. The programme will officially be launched around the last week of January. In the meantime members will continue
to enjoy discounts at the commercial cinemas around town.
Anyone can join the Film Society at any time on line.
Film Festivals to note:
NZ International Film Festival 2020. Embassy, etc. 31 July -16 August 2020. Mark your diaries now.
This site relies on the various cinemas having their own websites up to date to access their screening times.
The paragraphs describing the films starting this week are in most cases adapted from the linked reviews.
If you are looking for a new web host, by using Host Bee, linking from their graphic at the foot of this page, the small commission we receive will help offset the cost of
running this website.
For comments and movie news, contact the Cinemaster at firstname.lastname@example.org.
s t a r t s t h i s w e e k!
THE GOOD LIAR -
Helen Mirren and Ian McKellen deliver an acting duet to die for in Bill Condon's delectably clever and civilized thriller that invites us to be as invested in the game as we are in the
characters. But it turns out to have a more serious upshot than you'd expect. There's a backstory, set during World War II, and it's all about abuse, survival, misogynistic crime, and the
seeds of a sociopath. In the end, the true subject isn't con artistry but vengeance. And that's just enough of a turn of the screw to make you want to see the whole thing again.
Also Penthouse, Empire, Lighthouse, Monterey, Coastlands and Shoreline.
THE ADDAMS FAMILY  -
The appeal of this, which doesn't break the mold, is simply to spend some more time in this gently spooky world, which is a gateway for budding creepsters and goths. It's refreshing
that it doesn't try to overreach the limitations of its story, but it's so slight, it merely whets the appetite for more Addams fare, rather than providing anything truly satisfying.
Also Roxy, Readings, Monterey and Coastlands.
THE WILD GOOSE LAKE -
Chinese writer-director Diao Yinan (Black Coal, Thin Ice) unveiled his latest feature in competition at Cannes.
Like the waters lapping up against the shores of its murky titular setting, this is a film that doesn't hit you like a tidal wave as much as it gradually washes over you, leaving in its
wake a series of memorable set-pieces and a dense, dark web of violence and fatality.
BIGGEST LITTLE FARM -
A gorgeous and often devastating look at good intentions slamming into harsh practical challenges, this is the rare eco-friendly documentary that reaches beyond the celebratory
formula to explore the application of its environmental message in detail. It's a remarkable educational experience for anyone eager to go back to the basics. In the process, it arrives
at a deeper understanding of the underlying impulse, while delivering an emotionally resonant narrative with plenty of cute animals to spare.
Also Lighthouse Petone Shoreline.
u p c o m i n g
f i l m s